Care Packages by Betty Winslow
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How
long will it be before I forget
what
your favorite cookies were?
I
don't know what you eat in heaven
but
it's probably not meringues,
crispy-crusted,
chewy-centered,
vanilla-scented,
lightly
toasted on top
like
a summer sunburn,
and
crumbling at a touch;
I'm
sure you don't long
for
packages from home
filled
with meringues, red licorice,
rice
krispy treats made by childish hands,
and
peppermints from meals at Pizza Hut,
squirreled
away by your dad to put in the box
alongside
the letters and drawings
and
heapings of family love.
Now,
you have everything you need
or
ever wanted,
and
we're left holding the box
with
all the love,
with
no one left to send it to.
Author
Betty Winslow, who lives in Bowling Green, Ohio, wrote
this poem for Down the Cereal Aisle: a basket of recipes
and remembrances (edited by Alice J. Wisler), in
memory of her daughter, Lisa, who died in 1993 and always
loved to get care packages from home.
I sat
staring around the empty room for forty-five minutes.
Twenty-two empty seats, the now blank walls stripped
of Macbeth movie
posters, an overflowing garbage can, a tattered copy
of Romeo and Juliet on
the floor. Fourth row. Third seat. Jennings's desk. Guess he won't be getting
to his reading over the break. Sigh.
They left
today for holiday, with the bravely, boasting brunt of
adolescence, jeering them onto the buses that will transport
them away, away, away from here, the deeply seated enemy.
They are so excited to be released, and would never dream
of letting you feel a remote inkling, a minute possibility
of any reluctance of leaving this room, this home,
or above all you. You who have become the target of the
rolling eyes, and labored exhales as loud as the last
breath of life from a twenty pack a day emphysema patient.
I have been reduced to the form of the jester whose mere
attempt at any form of knowledge is so comical…pitiful…
How dare
I expect something of them? How dare I expect
something of them? Who the hell am I anyway? And
in the quickening passing of 180 days, I begin to wonder,
who the hell am I anyway? I second-guess myself
for the tenth-thousandth time.
They walk
down the path toward the buses, and I watch the embraces
that would weaken Russell Crowe at his best. Kisses
so deep and meaningful they would carry anyone over the
age of 35 through 400 years of solitaire… and then some.
I try to imagine in my mind's eye the world that is waiting
for them on the other end. The impending hallmark and
hell mark moments on the horizon. I miss them already.
Earlier
this morning, when my alarm rang out, I tightened my
eyes and audibly said, “Not again…” And now I sit here,
and I miss them. I
realize I will come to my senses, live my life, enjoy
my holiday…and will wake 12 days from now, rolling over,
closing my eyes, Here we go… again…and again…and again…and
so it passes…
….and
here I am. The holiday box has been emptied and another
year has passed. The alarm is going off. I think of them. I recall a vague…vague,,,mmnnn… sense
of missing them. Shower,
coffee, darkness. 15 degrees. Jeez... I piece together
my welcome back class… I finally smile a bit when I turn
into the parking lot and remember.
“Well,
let's talk about the themes in Romeo
and Juliet. Jennings—let's hear what
you think.”
And so,
the battle begins once again. Welcome home.
Kathleen
Lynch
klbmaine@netscape.net
January
21, 2004
Tres Hermanas by Ken Rodgers
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I
heard them running through dead weeds. Away from the
eleven a.m. sun. The Cedar Mountains lounged
in the west like they were no name. A bright day, west
wind, often brisk, welcome long johns.
My
shotgun to my shoulder. I heard them running. Jimmy Joe
looked at me and shrugged. Last night she came. Drove
all the way from El Paso. One hundred thirty miles of sandy
bottom, ruts banging her Stetson into the headliner.
The
night was bright and coyotes palavered behind Tres Hermanas.
We turned in early. She came. I'm a light sleeper
I
heard them running. The quail, that is. They were beating
their horny feet on the stems of those dead weeds. Like
radar, my ears. One flew. Bloom. In the ditch. Scaled
quail hate to fly.
In
the tent they started hanky panky. I heard her shuck
her jeans. I thought she was leaving him. They smacked
lips. I turned in my sleeping bag. They got quiet.
I
found the bird in the ditch. Picked it up. Gray to bluer,
black lines on the ends of the feathers, reminded me
of lace on grandma's hankies. They hate to fly.
I
heard them running. Running to the truck. They left the
tent flap open. I spotted Orion in the early morning
sky. Heard springs squeak. The night breeze in my sleeping
bag. I shivered. She giggled.
I
walked along the flats that dipped north with a slow
demise. I heard quail running. Fly. Bloom, it toppled.
Feathers drifted east. Satisfying sound, that plop.
On
the hood of the truck in the dead of black, springs creaked,
and muffled grunts, some whispers. He told me he'd hired
a lawyer. A short squeal.
Sometimes
I think critters are stupid. But maybe they think that
about me. I have a gun. Changes the odds some. When I
woke up next morning, she was gone. I saw her tire tracks
in the sand. She was driving all terrain. Now he's got
the mopes. Missed
three shots. Never saw such a thing. She left her Stetson.
It's bright blue with a red feather.
November
Near the
The Coronado Trail
Nineteen
Eighty-eight
Harsh
sun and windy
Ken Rodgers. Sebastopol, CA
Friday Night by Charles Markee
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In
the shadow of Mt. Shasta, in the valley of the Sacramento
River, we gather for a ceremony as old as
man, sharing a meal and telling stories into the night
from overstuffed chairs that surround a virtual campfire. Ages
13 to 90 at one table, different agendas, vastly different
histories, but aware of each other in the way of families,
n' everyone with a story.
“We
come on this ole boy, so lost he didn't know which way
he's a goin'. Asked him why he din't just backtrack
his own prints in-a snow? He
said he couldn't tell which way they-sa goin'”
“Gran'
always has her coffee n' milk n' cereal, but this mornin'
we were out-a milk. I
said, I'd go to the store n' be right back, but when
I got back, she'd already eaten her cereal. When I asked her how, she said she just
poured the coffee on the cereal. At
90 she said, it all tastes the same anyhow.”
“Some
days she's fine and other days she thinks that Johnny
Weissmuller and Joe Montana were here for dinner last
night. Watchin'
MASH the other day, she said, I remember fixin' lunch
for those boys last week.”
The
youngest says, who's Johnny Wiessmuller? And
we remember the movie Tarzan who won five Olympic gold
medals and broke 67 world records for free-style swimming
and wonder why the past disappears.
“Thut
bar's hangin' ‘round the gully next to the house. Las' week he ripped the door of the cage
next door an' et thar pet rabbit.”
There's
no pause, no break in the stories, they chain together,
one leads to another and they flow continuously like
waves against the shore. Laughter, that spasm of surprise, reflects
from the walls, and sparks one more story before the
energy winds down and someone says, I gotta get home,
and the divergence begins, each to his own bed, to prepare
for another day.
Saturday morn, looking across the road
into the river, then a walk down First
Street along the river's edge
where wildflowers challenge civilization and the walk
back with Mt. Shasta visible
over the tree tops.
Charles
Markee writes belletrism and film reviews from his moonview
cabin in Santa Rosa, California. After 41 years slogging through corporate
corridors, he saw the light; studied creative writing
with Chitra Divakaruni, Floyd Salas, Terry Ehret, Ida
Egli and others; film reviews www.hazelst.com, short shorts www.bettyauchard.com (past winners),
email chuck@hazelst.com.
CA.
Vernal Desire by Annie Scott
|
Springtime
in the foothills of the Central Sierra is all about the
glee of freedom. Finally, after a long winter of snow
and fog, Sonora Pass opens,
the upper reservoirs of Beardsley and Lions Lake open their gates, and Pinecrest Lake fills
once more with water. Although it is still too early
for swimwear and canoes, the glorious vistas and high
country trails of Sonora Pass call
to us. All winter it has felt snug and cozy here in the
foothills, with our local Cover's hot cider, lama wool
sweaters and crackling woodstoves. Yet, a claustrophobic
tension has grown in the nerves of every local since
the pass closed in late November.
Sonora Pass provides an almost spiritual release as it beckons
us to cross over the mountain. Access to the Eastern
Sierra, with its palpable rock faces, hot
springs and desert landscape, never fails
to fill the gathering places of Tuolumne County with
a buzz of excitement. We grow giddy thinking of the new
adventures that await us in our summer backyard. In those
first few days after Caltrans sends the news, people's
first words on the streets or in the markets are, “Have
you been up to the pass yet? It's so beautiful.” And
this is sighed with a tone of wonderment, as if they
had never before seen anything so breathtaking, as if
they didn't enjoy this same late-May ritual every year.
In these early
months of alpine spring, twelve-foot snow piles still
loom over the edges of the road in the high country.
Drifts hide the trailheads, and the water of most mountain
streams is only partially visible through shining patterns
of melting ice. But the light and the piercing freshness
of the air are worth the drive, even if you are only
able to peer at the wilderness from the road, there is
no greater thrill than to catch a May glimpse of the
upper reaches of the Central Sierra.
I would like to assign a field trip to all self-professed
mountain lovers who have been turned into virtual flatlanders
by months of road-closing snow. While a simple drive
to the top of the pass and back is a rewarding spring
outing, you cannot beat the feeling of passing beyond
that mountain range into the vast open space of the Great Basin. Get on HWY 108 and drive past the Leavitte
Meadows, past Walker Valley and out into the ranch land near Bridgeport. Then turn around.
The months of winter brooding and tedious indoor projects
will drop away, as you stare in awe at the soaring jagged
peaks of the Sawtooth Ridge rising out of the Northern
edge of Yosemite. Still
covered in snow, the Sierra range will pop out at you
in stark relief against a spring blue sky. You might
sigh or laugh as you recognize your good fortune. Then
head home, back over Sonora Pass,
and into the warm blanket of your Sierra.
Forgetting by Christine Falcone
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How quickly we forget the contents of old boxes, what's
in those suitcases packed up in the attic, or the plastic
bins from Home Dept nesting on the rafters of the garage.
So much “stuff” we collect as humans. But what of the “stuff” we
carry around on the inside? I bet you'd never forget
your first kiss. Could tell me right here, right now,
how the rainwater collected in puddles all around your
family's front porch—the clearing sky and full moon reflecting
in them like mirrors to the heavens. I bet you remember
exactly what you were wearing, that coveted red coat
borrowed from a friend, the one with the faux fur collar.
I bet you can remember how warm his mouth felt on your
cold cheek, then how you turned to face him, heart pounding
until your young, supple lips pressed back against his. How his breath looked, white and swirling
in the cold winter air, the exhale of a god, your first
love.
How do we remember all these things: our first day
of school; our new lunch pail and knee-high socks pulled
up to the hem of our Catholic schoolgirl uniforms; the
day we graduated high school, left home, got married—perhaps
finalized our divorce. Where
are all those ripples, those wrinkles carried in our
brains? There must be folds, crevasses, caverns of collected
memories, cassette tapes of the past we can pop in the
VCR of our mind anytime we please, hit “play” and watch
those treasured images as fresh as the hand holding this
pen skip across the page of memory. These are the things
we may never pack up, liquidate, ship-off to Good Will.
They're ours alone and they are the things a life lived
well are built upon. They are the true riches of any
man or woman.
Christine
Falcone remembers in Novato, CA.
First Encounter by Kathleen Lynch
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I
never thought I would be able wait that long. There were
few virtues that were bestowed upon me to begin with,
and patience was definitely not one of them. But I waited,
and time crawled by on its belly across the platitudes
of my mind. I waited. The clocked ticked and tocked,
repeatedly drumming like a relentless faucet into the
not quite stainless steel sink of my life.
The
years quickly relented, and it seemed like I was destined
to be alone, and a quiet cloud of resolve blanketed me.
Years of wearing of this hollow, empty halo carved time
upon my cheeks, and drained the shine from my eyes. Until
the day I found out about you. That was the day the tide
rushed through me, and drowned my heart with the promise
of love and possibility.
I
still had to wait. I had not met you yet, but this instinctual
orgasm overwhelmingly took control of me body and soul.
I knew it was a match. I knew we were to be forever connected
and that no circumstance conjured up in the minds of
the mocking gods would separate us. The waiting was painful.
I
kept imagining what you would look like when I finally
saw you. That suspended moment when I first would gaze
into your eyes, and run my hands across your face. I
knew I would spend hours staring through you, and that
although we were two people, we would become on a transverse
level, one soul. This intersecting of ‘being' astounded
me and I waited.
The
day was slowly approaching when were to finally meet.
It was excruciating. It was blinding anticipation and
the only thing that made such a journey even possible,
was the knowledge that I was finally going to meet you
at the end of it. I endured living fifteen million Christmas
mornings at seven years old all at once. I found myself
weak-kneed and sweating, twitching, trying to reach down
deep, just to gain the voice to utter a sound. Then you
appeared, and when I finally locked you in my gaze, after
that eternity of time that passed without you, when you
were there—tangible—when I was able to see your eyes,
I swallowed you with a smile that would melt a iceberg.
Ha! You are the Titanic of my soul!!
“It's a boy”! the doctor cried out as he passed to
me my son.
Kathleen
Lynch
Farmington, Maine
A Blessing of Sweeping by Ginger Child
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Outside, a gardener is sweeping
debris from the street, and I listen to the rhythmic swooshing
sound, back and forth, back and forth. A lullaby of sorts.
I think of all the sweeping
that goes on around the world. Sweeping since time began...in a garden,
in a cave. Sweeping
the earth, sweeping palaces, sweeping schools, hospitals
and prisons. Sweeping in barns and taverns. Cottages, ships, trains. Churches and sacred groves.
Babies learning to sweep,
grandmothers sweeping. Families sweeping. Men, women and children sweeping.
Swoosh,
swoosh; easy strokes, simple movements. Gathering up the mess of life. Mess that gets underfoot, mess that causes
disharmony, scraps from the creative process of Life. Mess that must be gathered and thrown
out. Dangerous
messes like broken glass, beautiful messes like sparkly
paper scraps. I
pause and think of the hundreds of things that need to
be swept up and discarded.
When
I sweep, I am connected to all the women of all the ages
and nations, and I marvel that the broom itself is unchanged. A simple device....a stick, some grasses,
and still we sweep, sweep, sweep with this ancient tool. In this age of Newer and Faster, there
is nothing that is better than an ordinary broom.
Whether
physical, or spiritually symbolic, the broom is an icon
of renewal, beauty, and the peace it brings. It
does not require strength, just a gentle motion, a willingness
to pick it up and go through the motions of sweeping,
sweeping, sweeping.